A Word

***Wacken 2018 - view from the Jägermeister Deer

Live gigs are essential. Remembering them is sometimes even more fun (but writing tedious ;-). Short stories about great gigs - and the others as well. This is strictly non-commercial and just my humble taste/opinion.

15 September 2025

Mogwai V

It never disappoints to see Mogwai. Also, the crowd is different - a light at the end of the tunnel. It is the only gig that I will always visit with earplugs.

Rating: a solid 5/5

Buddies: Tom, Christian, Ross and friend of Ross

Merch: 2025 tee, love it

Again? Any time!

Mogwai are bold and gentle, brutal and silent, friendly and harsh. People that see Mogwai hardly take photos/video shots, no chatting during music. Everybody is respectfully here for the music.

I still need to dig the stellst - didn’t know a bunch of songs, shame on me. I gladly report that they played „Haunted By A Freak“ again - I am very grateful for this. Then, when they launch „Mogwai Fears Satan“, it‘s time for the earplugs - the song is ver loud through them!

My ears now rest until next time in Vienna. I‘ll definitely will be there to celebrate them, they are one of a kind.

05 April 2024

As I Lay Dying (Impericon Festival)

Location: Limmatstrasse 118, 8005 Zürich, Schweiz

We did not see too much, but As I Lay Dying was a blast, and we liked it a lot. Great crowd in Zürich, all ages with good energy.

 

18 March 2024

Johann Sebastian Bach - Matthäuspassion, Wiener Symphoniker, Matthew Halls

Location: Lothringerstraße 20, 1030 Wien, Österreich

Wahrscheinlich DIE beeindruckendste musikalische Darbietung, die ich bisher erlebte. Der Klassik-Zug fährt in meinem Hause munter weiter.

 

Gemeinsam mit Täubchen
Rating: Besser geht es nicht
Jährliche Wiederholung wohl ohne Alternative










Zwar hatte ich schon immer eine Schwäche für die Geradlinigkeit und Dynamik der Barockmusik, dennoch traf mich das Interesse für Passionsmusik überraschend. Den Einstieg baten die wirklich beeindruckenden Choräle, allem voran die beiden Zwillinge "Erkenne dich, mein Hüter" und "Ich will hier bei dir stehen", die sich beinahe nur durch die andere Tonart unterscheiden. Mit ihnen wuchs mein Interesse für dieses lange und durchaus komplexe Werk. 

Und dann entdeckte ich diese junge Aufnahme:
Hier waren absolute Freaks am Werk, das Ergebnis konnte für mich von keiner der mir bekannten, teils viel berühmteren Aufnahmen übertroffen werden. Einerseits der Punch des Orchesters (bereits im Eröffnungsstück), andererseits eine besondere vokale Deutlichkeit und sehr starker Ausdruck. Eine meiner Lieblings-CDs bei mir zu Hause.

Das dann aber live erleben zu dürfen, ist noch eine andere Dimension. Sobald der große Chor im Eröffnungsstück einsetzt, bleibt quasi kein Auge trocken. Freilich determiniert durch die Pichon-Aufnahme war mir das Orchester beinahme zu groß - bzw bei den Solo-Stücken zu klein, wenn nur eine Hälfte des Orchesters spielt. Ist wohl eine Konsequenz dieses großen Chors, da muss man mit einem ganzen Orchester antreten. Insgesamt finde ich kleineres Orchester mit kleinerem Chor spannender.

Das ist aber wirklich lächerliches Jammern auf höchstem Niveau: Die 2 1/2 Stunden verflogen im Konzerthaus, jede Minute war ergreifend. Die Solo-Darbietungen waren über jeden Zweifel erhaben, vor allem der Evangelist, kurzfristig eingesprungen, konnte überzeugen. Die Orchestrierung mit zwei Orgeln (ohne Chembalo) war ebenfalls gelungen. Dirigent Matthew Halls war ebenfalls sehr in seine Aufgabe versunken. 

Gegen Ende dann meine Lieblings-Arie "Mache Dich, Mein Herze rein" - in mir kam beinahe Traurigkeit auf, weil es für mich der Beginn des Endes des Abends ist. Hier kam mir das Orchester bereits etwas müde vor, das kommt auf der Pichon CD mit deutlich mehr Energie herüber. Das Schlussstück mit dem gesamten Chor dann nochmals ein würdiger letzter Höhepunkt. Am Ende dann gut 10 Minuten verdienter Applaus für einen unvergesslichen Abend im wunderbaren Konzerthaus.













27 February 2024

Air -





Rating: 5/5
Buddy: Täubchen, Michael, Janina
Merch: nope
Again? Definitely worth considering




09 February 2024

21 November 2023

Laibach VIII - Love Is Still Alive Tour

Location: Baumgasse 80, 1030 Wien, Österreich

Even at risk to become repetitive: Every Laibach gig is surprise and joy. No exception in 2023.


Rating: 5/5

Buddy: David Zimba

Merch: Hoodie

Again? you can bet


If you like gigs that surprise and impress, Laibach are always a safe bet. I do not remember one gig of them that met my expectations. It is always different. Ok, there is one pattern in Laibach gigs since many years: The first part is solely dedicated to the current album, then comes an intermission with a countdown. The second part is then other songs - but never really the same. Even songs that you know from previous gigs are performed differently. Expect the unexpected and
enjoy.


Also pleased to see that this gig saw much more visitors than in recent years. The sound is impeccable as always - certainly with some backtracking going on, but that's ok for this band. The mid section saw some heavy industrial content. The encores then were on the more melodic side with great tunes from the Iron Sky soundtracks.

To be honest, the merch is prohibitively expensive, but come on, it's Laibach and it's not plain vanilla Chinese stuff that you purchase. 

See you again, for sure.


Setlist:

LOVE IS STILL ALIVE

Love is Still Alive I (Moon, Euphoria)

Love is Still Alive II (Venus, Libidine)

Love is Still Alive III (Mercury, Dopamine)

Love is Still Alive IV (Neptune, Oxytocin)

Love is Still Alive V (Uranus, Prolactin)

Love is Still Alive VI (Saturn, Insomnia)

Love is Still Alive VII (Jupiter, Tristitia)

Love is Still Alive VIII (Mars, Dysphoria)

-- Intermission --

WAR

Ordnung und Disziplin (Müller versus Brecht)

Ich bin der Engel der Verzweiflung

Das Nachtlied I

Als Geist

Glück Auf!

Lepo - Krasno

Smrt za smrt

Krvava guada - plodna zemlja

Ti, ki Izzivas

REPENT

The Future (Leonard Cohen)

Sympathy for the Devil (The Rolling Stones)

The Coming Race

ENCORE

The Engine of Survival

18 August 2023

Kaltenbach 2023 - Day 2

Location: 8684 Spital am Semmering, Österreich

My first visit of this fabulous extreme metal festival in Austria. It did not disappoint.

What we saw on this day:

Kanonenfieber
Mishyrming
Warbringer
Archspire
Nargaroth
Rotting Christ

Rating: 5/5

Buddies: Stolli and Richard

Merch: a nice Tee

Again: I hope so!

07 August 2022

Wacken 2022 (4 to 6 August 2022)

I did not plan that the first post-Covid gig is ... again ... Wacken, but it matched very well.


 

19 December 2019

Jinjer

Location: Simm City, Simmeringer Hauptstraße 96A, 1110 Wien, Österreich

This gig was Stolli's birthday present (at his very birthday). What we did not know then was that this would be our last gig prior to the shutdown.

Buddies: Stolli, Tom, Lorenz (i.e. Wacken 2019 formation)

Rating: 4/5
Merch: none
Again? Yes
After their glorious Wacken 2019 performance, visiting Jinjer in Vienna at a full gig was a must. They did not disappoint.

And then, it was suddenly the end of all gigs for a long time...








 

21 February 2019

Laibach VII (Sound of Music Tour)

Location: Simmeringer Hauptstraße 96A, 1110 Wien, Austria
In another post, I wrote that Laibach continue to surprise me. Also this time it is no different.




Buddy: David
Rating: 5/5
Merch: a Laibach badge
Again? Sure, my NSK passport needs more entires ;-)




I did not expect that much this night, but Laibach is always a must. I am not the big fan of  Laibach's interpretation of"The Sound Of Music" in the studio. These versions are very polished and shiny, thus quite far away from a Laibach experience, it's more or less quite straight-forward pop music.

The live versions of these songs (again) surprise me. Very dynamic and convincing, by far less polite and engaging. Again, I experience the core of Laibach: surprise - very pleasant surprise. Live I basically buy into every single song of the album. The singer is stellar. After part one, I am very happy to be here.

PS: After the gig I listened again to the studio album, and it still does not thrill me a lot.

Intermission. Yes, Laibach now regularly heads for a 20 minutes intermission countdown. I like it.



The second part is another surprise. No all-time-favorites, but rather unknown songs from the Eighties in Slovenian. All convincing and concise. Followed by their most recent contribution to Iron Sky II and their view of 'Sympathy For the Devil'. Setlist below.

Second part - a bit 'no prisoners' mentality - good guitars

So again, it is just right to be with Laibach. And their seventh incarnation brings them back for me at their heights. Puno hvala, Laibach.

The stamp in my NSK passport


The Spectre Badge













Setlist:

  • The Sound of Music 
  • Climb Ev'ry Mountain
  • Do-Re-Mi
  • Edelweiss
  • My Favorite Things
  • The Lonely Goatherd
  • Sixteen Going on Seventeen
  • So Long, Farewell
  • Maria/Korea
  • Arirang (traditional)
  • ---Intermission---
  • Ti, ki izzivaš
  • Vier Personen
  • Mi kujemo bodočnost
  • Smrt za Smrt
  • The Coming Race
  • Sympathy for the Devil




13 January 2019

Behemoth (At The Gates)

You will hardly experience a higher intensity performance of Black Metal than this one.



Score: 5 out of 5
Buddies: Tom and Rainer with a friend
Merch: was too crowded 
Again: for sure






Discussing "Metal" can be difficult because its proponents can become quite strict about what it means and what not. With the emergence of "True Metal", the topic became delicate, if not a bit ludicrous. Take Steel Panther (though I truly adore them for what they do) and of course Manowar (they overdid the term until they became redundant, in particular if you are then even caught in playback performances).

If you look at it from distance, these discussions are mostly about how the style of Metal changed through time. Proponents of "the real thing" are sometimes unwilling to accept  these changes. By this, they also ignore that "Metal" has been so much about change, rebellion, but not establishment. And the name tells it all: "True Metal" ends up in establishment or satire.

But if "True Metal" refers to a band that really means it, then Behemoth is clearly True Black Metal band you must see live.

To me, Behemoth is THE artistic statement of this genre.  If you want to get an idea of what Black Metal is all about, just see them live. Yes, they wear mask and they are celebrate satanistic rituals on stage, but at least to me, it is neither too artificial, nor does it mean that I have to be a satanist to enjoy the gig (and I am clearly not :-). Similarly to e.g. Laibach in their genre, this band performs art for their audience. When they tell us during the gig: "Our joy is that you have joy!" - it tells you a lot. This does not sound like somebody that wants to convert you to satanism. Therefore, and as so often in art, the messages told here are far more sophisticated than the bold satanic symbolism would indicate. Just the same as with Laibach, who were so often mistaken as right wing fanatists. And for a reason, both bands are from the former COMECON region, where art is traditionally put into covert messages. Counter culture.

Besides this issue of what a Black Metal band actually wants to tell you, their musical performance was nothing less than exceptional. Also a very decent band, such as the supporting act At The Gates, just cannot match the intensity of the main act. The efforts put into all aspects of a stage performance fit to a perfect result.

What about the other guests besides me? As so often, polite and just enjoying the music.

Setlist
Wolves ov Siberia
Daimonos
Ora Pro Nobis Lucifer
Bartzabel
Ov Fire and the Void
God = Dog
Conquer All
Ecclesia Diabolica Catholica
Dacade of Therion
Blow Your Trumpets Gabriel
Slaves Shall Serve
Chant for Eschaton 2000
---Encore---
Lucifer
We Are the News 1000 Years

07 December 2018

Lions Jazz mit Sandra Pires

Location: Babenbergerhalle, Rathauspl. 25, 3400 Klosterneuburg, Austria
A very thoughtful and refreshing evening of nice Jazz Music

Buddies: Täubchen, Christian
Rating: 4 out of 5
Merch: nope
Again? We liked it a lot

23 November 2018

Diknu Schneeberger Trio

Location: Kulturmü, Mühlenring 2, 2020 Gemeinde Hollabrunn, Austria
Another breathtaking performance of this unique trio with their new CD with them.


Buddies: Täubeli, Sigi, Pez, Action
Rating: 5 out of 5
Merch: the new CD
Again: for sure

06 November 2018

Diamond Head and Guests

Location: Viper Room, Landstraßer Hauptstraße 38, 1030 Wien, Austria
Back to the roots with Diamond Head. We liked it a lot. Viper Room is finally smoke free.

Buddies: Werner, Richard and Rudi
Rating: 4 out of 5
Merch: two guitar picks
Again: yeah 


02 August 2018

Wacken 2018 - When There Is No Mud

Location: Wacken, Germany
Compared to the previous two years, this Wacken became entirely different due to different weather conditions: no rain meant no mud, but a lot of sun meant hot temperatures during the day and very nice ones after sunset. 

This year, both Werner and Lorenz joined, and we certainly did not regret these three days.  Probably the best Wacken experience so far.

We already purchased the tickets for next year - the 30th anniversary - and will be joined by a fourth ruthless guy ;-). As of writing this, Wacken 2019 has sold out entirely.



We saw an awful lot and missed out on even more again. So let's see how these three days evolved.

Day 1 - Old School rules

Thursday has always been focused on Old School - also this time. Some vicious stuff rounded up a very nice starter into the festival.

Dokken: Still Eighties Metal, but vocals became a bit more bluesy which I liked. The music has a quite sad tone, in particular their hit Alone Again. All in all, a nice surprise start.

Vince Neil: No surprises here. Some newer stuff, some old sh*t from the Motley Crue times, including 'Shout At The Devil'. Lorenz particularly liked the guitar roadie ;-).

Udo Dirkschneider: The two prior acts caused a slight Eighties Metal overdose on my side. So Lorenz and me skipped Udo. For Werner it was the highlight of the first day. We continued with ...

Vallenfyre: The first sinister tones of the day, still an opportunity to cool down from the blazing sun outside of the tent. Founded by ex-Paradise Lost Gregor Mackintosh, this music stands quite in opposition to what his former, more famous band developed. In your face metal, blazingly fast, rather sinister. Then back into the sun, but this time...

Behemoth: My personal first highlight of the day, though my two friends did not share this view. With the benefit of having prepared with two albums, I was highly impressed how intense and good these live versions actually were. A perfect start with "Blow Your Trumpets Gabriel". Also "Ov Fire And The Void" and "The Satanist" left no doubt that this band is a live monster - power and perfection. New songs also to be published in August were on the setlist.

Behemoth - Stage 1
Behemoth - Stage 2
Behemoth - Final Stage
This set left me definitely with the wish to hear more from that incredible stuff. See you again live!

Danzig: High expectations - not met at all. Unfortunately this gig failed in nearly every respect. Sound problems, band not really in sync, vocal problems. We skipped it after the third song and went into vicious area...

Watain: Never heard of them before Waken 2018. These guys set the stage on fire - virtually.
Watain - all on fire
Musically and performance-wise in best Black Metal tradition, it was all in all the creepiest performance of the day. They are definitely masters of their business. And clearly the tent is always better for such type of music than the open air stages - I would have loved to see Behemoth here actually.

Judas Priest: Typically for the first day's headliner, the only set where the Infield was completely packed. No chance to reach the front of the Infield, and though far away still rather claustrophobic.


Judas Priest - much light&visuals
Priest, my heroes back in the Eighties, now live for the first time. I even had bootleg vinyl of their gigs. Will I like them?

Two things that I found surprising this day: First, Rob Halford not really communicating with us (why not?), so the band stayed somewhat in distance to the crowd. Secondly, too much light and visuals, movies all the time, which really distracted from a more than decent musical performance. The two new guitarists being impeccable and well placed, and Glenn Tipton joining for the last two or three songs. I would not call this gig bad at all, but the spark did not jump over to us. Somehow too artificial and distanced.

All in all, Day 1 was more or less the performances to be expected, with only Danzig disappointing.

We missed out on: Tremonti (due to Dokken), Belphegor (due to Danzig), Gaahl's Wyrd (too tired)


Day 2 - Long, Hot & Busy

Friday was the hottest day, and we started already around noon at the Infield. It was our planned busiest day.

Cannibal Corpse: No regrets to start early at noon with them - quite the opposite. They were as good as expected, also in blazing sunlight ruthless and tough, still very artistic.

Cannibal Corpse in blazing sunlight


Rogers: We did not plan to see Rogers, but the heat forced us into the tent. This was a good decision, their punk was tough and very well received.

Rogers - great guys
Mr. Big: Really? We headed for Mr. Big was more due to the impossible Epica on the main stage. Nothing to expect, and, well, it was just fine, nothing for me to listen to.

Firewind: Back to the tent, already rather exhausted from the sun. Firewind's power metal was a good contrast to Mr. Big and brought us back into Metal. As expected, incredible licks from another guitarist that Ozzy Osbourne identified as metal talent. The second guitarist, also keyboarder, from time to time playing on both instruments simultaneously. Sadly they missed out on the genius cover version of the Eighties hit 'Maniac' of the Flashdance Soundtrack (Michael Sembello) - actually this song fits perfectly into Power Metal, hearing Firewind's version is believing!
Firewind
Dool: The first major positive surprise. Already promising when listening to the band on Spotify, their live performance was impressive as well. This was one of the few bands that did not quite fit into the regular Wacken categories (similar to the great Alceste two years ago at exactly the same stage). Dool name Sisters of Mercy and Sonic Youth as major sources of influence, and I buy into this description. It was a very welcome and much needed musical enrichment, similar to Rogers, but much more according to my own taste. I will definitely follow this band further, and you should too. 'Oweynagat' or 'Golden Serpents', for example, are these songs with a great drive as we love it from The Sisters Of Mercy or also The Mission.

Dool impressed me

Destruction: A legend on stage, first time for me. I still remember the moment I bought their first Mini-LP 'Sentence of Death' back in 1984, so quite some time passed, now finally live. They were impressive, and fans contributed with rather ruthless circle pits. They also played the very old stuff from the old times in very powerful versions. One of the best gigs of the day, for sure, and very nice guys.

Destruction

Clawfinger: Another big 'hello' to one favorite band of the past, a bit forgotten through time. Clawfinger rocked and reminded us of how good 'Deaf Dumb Blind' was. They also seem to know, since they first played every single song of this album - and nobody complained. The loops did not age through time, the guitar is as great as ever, so were the rap lyrics. 'Rosegrove' - if I may name one song - is one of this very special irresistible songs that keep you moving. Many thanks guys, so nice to hear you again!
Clawfinger - yessssss
Bathing in the crowd
Lee Aaron: Well, it seems that Lee Aaron goes back to the roots to play some Metal, along with radio-compatible songs of typical US rock style. Compared to the Eighties, her voice seemed much better than back then, so all in all, just fine for us to hang out to her songs.

Lee Aaron


Mantar: Mantar had impressed us in flex/Vienna as support act of Kadavar, and Wacken saw them performing even better. When two guys (guitar/vocals and drums) form one band and perform looking at each other, it is always special. This time, a kind of bass guitar effect supported the guitars and provided for a quite significantly better sound. All in all, the band progresses further, and Wacken seemed to like it as well.

Mantar - two guys, one band


In Flames: Something like the main act of the second day (probably along with Ghost that started only at 1 a.m. in the morning, which was too much for us). After a long day, we preferred to stay at the rear end of the infield, and it provided a similarly impressive view to the set. Professional as always, no disappointments, just In Flames as we know them.



Otto & Die Friesenjungs: Well, though a lot of people seem to like it, we did not stand it - at all. When Otto started to perform 'Born To Be Wild', the thing was done for us at that time of the night. Sorry, nothing for us. Good night :-).

We missed out on: Amorphis (too hot), Children of Bodom (due to Dool), W.A.R. (due to Destruction), Ghost (too tired)

Day 3 - Highlights & Relax

Saturday brought much more relaxed temperatures, but on the third day, we (as many others) took it easy. Therefore the list of missed acts rose, which is just fine.

Wintersun: Power Metal Shredding at the outset of Day 3 - not everybody's darling. Since Alex (my friend and guitar teacher) really digs into Wintersun, we headed for them. First impression: They wore long sleeve skirts at these temperatures! It was a perfect Power Metal performance. I quite liked "Time", which has a lot of interesting musical ideas.

Wintersun


Skindred (seen from the Jägermeister Deer): One of the bigger surprises of Wacken, very powerful, quite distinct sound and style, and a very strong live performance. They easily became the favorite of Lorenz this year. It would have been good to be down at the stage.

Gojira: One of this year's favorite gigs. We were in the middle of the madness, Circle Pits all around, with Gojira playing the heaviest of their heavy songs. When 'Flying Whales' started, I suddenly during filming was hovered into a huge Circle Pit - one round running, and just fine. But it was a rather ruthless Circle Pit. Maybe I will upload this video later on.

Mighty Gojira

Steel Panther: Another clear favorite of this year (again). They are just hilarious and ridiculous. They are extremely rude and impolite, they play Hair Metal without compromises, and everybody celebrates a big party. Many thanks Steel Panther, you still rule - Death To All But Metal :-).


Power Rangers love Steel Panther as well!
Mambo Kurt: I was not aware of Mambo Kurt - until we saw him at the Beergarden Stage. He clearly rules, plays songs on a version 1 Gameboy or other vintage synths, and it sounds just great. Hail to Mambo Kurt :-).

Mambo Kurt
Helmet: Very nice to see Helmet again, still remember their great gig in Szene Wien. They did not disappoint. An intense gig with little speaking (this will follow then, unfortunately), and another great version of my all-time favorite 'Unsung'.

Helmet

Halloween - Pumpkins United: Actually the title of this show should already have raised eyebrows with us. We headed for the 3 1/2 hours' (!) show with a lot of talk and even more talk in order to see some songs from the 'Walls Of Jericho' album - and we ended up in receiving a medley (yes, A MEDLEY) of three songs from this album. We immediately had to flee. That's not worthy of Wacken, come on guys, please stop such nonsense - immediately.

We missed out on: Arch Enemy (due to Helmet), then already too tired for all of the following: Alien Weaponry, Solstafir, Eskimo Callboy, Zeal & Ardor


What Else To Mention
This festival is not just about the music. Every year, it is worth to explore the vast area for nice surprises. Some photos explain best.

Very funny in German
Well, yes :-)
Wacken Ice Cream - my favorite


Lorenz takes a shower, Wacken style


Wacken Infield - from far behind

For sure, this year was the best of the three Wacken events for me, everything is just so much easier without the mud. The overall atmosphere became even more relaxed, which is very important if you are here for three days in a row.

Even if statistics speak against it, we already booked for next year - which will be the 30th anniversary - and hope for another year without mud. But as a t-shirt slogan says: See you in Wacken - rain or shine! 








18 May 2018

Brad Mehldau Trio

Location: Lothringerstraße 20, 1030 Wien, Österreich
Since Täubchen and Jakob preferred not to be in Vienna this weekend, friends joined.




Buddies: Birgit, Lorenz, and Gerhard
Rating: 4/5
Merch: Their new CD 'Seymour Reads The Constitution!'
Again? Yes, I am basically on subscription ;-)


After quite a number of Brad Mehldau performances, it gets harder to write something novel. The trio, consisting of Brad Mehldau, larry Grenadier and Jeff Ballard, came with a focus on their new CD, but also some songs from their 'Blues and Ballads' album. But maybe this night, the quality of a classical jazz trio truly emerged to me - again. It is always a small miracle to experience the interaction that only the classical jazz trio allows for. All three instruments mostly are in their exclusive sonic range and can be seen equal to each other. In addition the amplification of all three instruments provide for the perfect jazz sound that I prefer over smaller venues - the sound is more powerful in that way.

Konzerthaus Wien is where a modern Jazz Trio shines for me
Also after some days, it is too early to judge on the new CD, but the songs represent the state of this trio, which I personally really like. It is not for everybody on this evening, and probably it will be just Jakob and myself to continue this very nice tradition to listen to the quite unique style of Brad Mehldau and his trio. So why 'just' four out of five? The actual gig has been relatively short, and some four encores did not fully compensate, we know better, e.g. from the gig with Chris Tile. But that's nitty-gritty, it was a great evening that ended, as always in Weinzierl just perfectly.